{"id":47024,"date":"2024-07-18T18:15:51","date_gmt":"2024-07-18T16:15:51","guid":{"rendered":"https:\/\/diploma2024.ecolecamondo.fr\/sujet-libre\/julie-weinberger\/the-secret\/"},"modified":"2024-10-20T16:16:02","modified_gmt":"2024-10-20T14:16:02","slug":"the-secret","status":"publish","type":"subject-free","link":"https:\/\/diploma2024.ecolecamondo.fr\/en\/sujet-libre\/julie-weinberger\/the-secret\/","title":{"rendered":"The secret"},"content":{"rendered":"\n

Projet r\u00e9alis\u00e9 en collaboration avec Tollis Studio, Kassim Hardoon & Declercq Passementerie
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\u00ab Le secret \u00e9rige des barri\u00e8res qui s\u00e9parent la personne qui le d\u00e9tient et ceux et celles qu\u2019elle a choisi pour le partager du reste du monde ; et toutes ses strat\u00e9gies visent \u00e0 rendre ces barri\u00e8res infranchissables. Il divise le monde en deux: il y a ceux qui sont dehors, et ceux qui sont dedans. <\/em> \u00bb Morgane Ortin
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Symboliser la fragilit\u00e9, la protection, la confidence. Cet objet, con\u00e7u initialement comme une assise, devient finalement un objet \u00e9nigmatique que chacun peut s\u2019approprier diff\u00e9remment. <\/em><\/p><\/div><\/div><\/article>\n

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L\u2019objet, con\u00e7u en pl\u00e2tre, vient se poser d\u00e9licatement sur une entretoise en croix ainsi qu\u2019une traverse m\u00e9tallique qui vient l’accueillir. Les pi\u00e9tements, comme des t\u00e9moins silencieux, prot\u00e8gent l\u2019assise sans la toucher. Le la\u00e7age en passementerie, lui vient donner un sentiment de de sacralit\u00e9. La cl\u00e9 vient sceller le tout. <\/p><\/div><\/div><\/article>\n

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Haut de 40cm, en clin d\u2019oeil \u00e0 sa symbolique en num\u00e9rologie (associ\u00e9 \u00e0 la stabilit\u00e9) cet objet hybride se positionne \u00e0 mi chemin entre le tabouret, la chaise, la table de nuit et la sculpture. Il est \u00e9troit, pour sa discr\u00e9tion mais aussi car porter des secrets, ce n\u2019est pas confortable. <\/p><\/div><\/div><\/article>\n

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Originaire de l\u2019ile de r\u00e9, j\u2019ai pu renouer un lien avec le lieu de mon enfance, contacter des sauniers, red\u00e9couvrir le sel, aller sur les lieux et observer de plus pr\u00e8s des ph\u00e9nom\u00e8nes comme la cristallisation. <\/em><\/p><\/div><\/div><\/article>\n

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La mati\u00e8re comme moteur de recherche plastique\n<\/figcaption>\n <\/article>\n
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Processus de fabrication des pieds de l’objet, r\u00e9alis\u00e9s par Kassim Hardoon.\n<\/figcaption>\n <\/article>\n\n

T\u00e9moigner des secrets qui prennent de la place, tapis dans l\u2019ombre mais aimerait voir le jour, de cette ambigu\u00eft\u00e9 entre ombre et lumi\u00e8re, de leur protection, aussi.
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